Thursday, May 7, 2020

Setting The Record Straight



If you watched Planet of The Humans, executive-produced by Michael Moore, like me you probably came away profoundly disillusioned. The film essentially says that the environmental movement and its advocacy for alternative energy sources is a house of cards and a big scam. From biomass to EV batteries to solar panels and turbines, the point is made over and over that they consume prodigious amounts of energy to produce, and the savings over the long term in greenhouse gas emissions are negligible at best.

Fortunately, there has been fierce rebuttal to the claims the film makes. One of them is by Bill McKibben, one of the patron saints of the environmental movement, in a lengthy Rolling Stone article, well-worth the read.

Another is by the always readable and always intelligent George Monbiot, who writes that the film is a gift to climate-change deniers who have for years been using discredited myths promoted in the film to justify their position.
Occasionally, the film lands a punch on the right nose. It is right to attack the burning of trees to make electricity. But when the film’s presenter and director, Jeff Gibbs, claims, “I found only one environmental leader willing to reject biomass and biofuels”, he can’t have been looking very far. Some people have been speaking out against them ever since they became a serious proposition (since 2004 in my case). Almost every environmental leader I know opposes the burning of fresh materials to generate power.

There are also some genuine and difficult problems with renewable energy, particularly the mining of the necessary materials. But the film’s attacks on solar and wind power rely on a series of blatant falsehoods. It claims that, in producing electricity from renewables, “You use more fossil fuels to do this than you’re getting benefit from it. You would have been better off just burning fossil fuels in the first place”. This is flat wrong. On average, a solar panel generates 26 units of solar energy for every unit of fossil energy required to build and install it. For wind turbines the ratio is 44 to one.

Planet of the Humans also claims that you can’t reduce fossil fuel use through renewable energy: coal is instead being replaced by gas. Well, in the third quarter of 2019, renewables in the UK generated more electricity than coal, oil and gas plants put together. As a result of the switch to renewables in this country, the amount of fossil fuel used for power generation has halved since 2010. By 2025, the government forecasts, roughly half our electricity will come from renewables, while gas burning will drop by a further 40%.
While Monbiot concedes the film's assertion that a good number of conservation groups take money from fossil fuel companies, he says its relentless attack on 350.org co-founder McKibben is misplaced, as he
takes no money from any of his campaigning work. It’s an almost comic exercise in misdirection, but unfortunately it has horrible, real-world consequences, as McKibben now faces even more threats and attacks than he confronted before.
Monbiot sees the film's 'final solution' as something of a red herring, snce it claims that only by seeing a mass die-off of an overpopulated world can there be any hope:
Yes, population growth does contribute to the pressures on the natural world. But while the global population is rising by 1% a year, consumption, until the pandemic, was rising at a steady 3%. High consumption is concentrated in countries where population growth is low. Where population growth is highest, consumption tends to be extremely low. Almost all the growth in numbers is in poor countries largely inhabited by black and brown people. When wealthy people, such as Moore and Gibbs, point to this issue without the necessary caveats, they are saying, in effect, “it’s not Us consuming, it’s Them breeding.” It’s not hard to see why the far right loves this film.
No one can ever accuse me of having an especially sunny disposition or optimistic outlook. Nonetheless, I was heartened to read this piece by George Monbiot. In these terrible times, I will take good news wherever I can find it.

2 comments:

  1. I just hope they're not getting locked into a blood feud. They're both somewhat right, just not nearly enough. I have thought for some time that Moore was outpacing himself. He's done some terrific work but he's not the prophet as he sees himself.

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    1. I am disappointed with Michael Moore, Mound. I've always thought his hyperbolic style worked quite well in alerting the world to important issues, but his imprimatur on this film does nothing for his credibility or reputation.

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